Hi.

ARTVOICES MAG is more than a cultural arts magazine. It is a witness. A historical record. A living archive documenting America's collective achievements, struggles, and aspirations through the lens of contemporary art.

At a time when culture is increasingly shaped by spectacle, commerce, and distraction, ARTVOICES remains committed to the artists, writers, curators, and thinkers whose work challenges, questions, and expands our understanding of the world. We believe art is not a luxury. It is evidence of who we are, what we value, and what we choose to remember.

The role of ARTVOICES is to document the conversations that matter. To amplify voices that deserve to be heard. To preserve the ideas, movements, and creative expressions that will define this moment for future generations.

For too long, artists and cultural producers have been expected to ask for permission to participate in the national dialogue. That time has passed.

We are not waiting to be invited into the conversation.

We are the conversation.

ARTVOICES is building a platform where contemporary art intersects with politics, history, culture, identity, and the human condition. A place where artists serve not only as creators, but as witnesses, critics, visionaries, and custodians of our collective memory.

We want to be on your radar. Not because we seek validation, but because what is happening here matters.

The artists matter.

The ideas matter.

The culture matters.

And history is being written in real time.

ARTVOICES is here to document it.

Dec 9

Dec 9 ART IN ARCHITECTURE: ROBERT TANNEN ON FRANK GEHRY

Terrence Sanders-Smith

Architecture

“Frank’s investment in future generations of architects is his greatest asset. His legacy, monumental body of work, and philosophies to educate, inspire and influence.”

Terrence Sanders-Smith: After your first meeting with Frank Gehry in New Orleans, what professional and personal characteristics did you find endearing about him as you two became closer friends?

Robert Tannen: Frank and I shared the same philosophy of thinking and making things. That invention and innovation as opposed to repeating ideas that others had created was important. That there was no orthodoxy for architecture or regional planning. It was important to find a way of dealing with the issues, whether the issue is a client who wants a building, or a regional plan for an area. We both begin with our own ideas. Frank and I found a common place where his work and my work were understandable to each other and appreciated.

Read Full ARTICLE by Terrence Sanders-Smith in the WINTER issue.

Street Date: Tuesday December 9th 2025